'Spatial Tilt’ was originally appropriated from Herbert Bayer’s ‘Plan for an Exhibition Design’. It plans to present the viewer with an empirical theory of vision, by activating areas of space other than the conventional wall planes. 

It also draws upon Walter Benjamin’s writings on our experience of architecture, which he believes is predominantly absorbed in a state of distraction; as if our movement is directed by an invisible backdrop.  With this is mind, the semi-transparent qualities of the one-way mirror illuminate areas of its exterior from the interior, and vice versa.